Peter Hinton-Davis has significantly impacted the evolution of contemporary Canadian theatre through his commitment to new play development, and revisionist productions of canonical works. Since 1980 Peter has directed over 250 productions at the Stratford Festival, Shaw Festival, Canadian Opera Company and more. Peter was the Associate Artistic Director at Theatre Passe Muraille and the Canadian Stage Company in Toronto, Artistic Director of the Playwrights Theatre Centre in Vancouver, the Dramaturg in Residence at Playwrights’ Workshop Montréal, and Artistic Associate of the Stratford Festival. From 2005 to 2012 he was Artistic Director of the National Arts Centre English theatre. In 2012, Peter Hinton-Davis was a recipient of the Order of Canada for his national contribution to the arts.

HAUI™ is an award-winning mixed media artist directing, devising, and designing cross-disciplinary work for stage and screen. Notable achievements include the feature-film MixedUp (OUTtv), the immersive Private Flowers (Toronto History Museums), and directing his libretto Aportia Chryptych: A Black Opera for Portia White, praised as "a rare world premiere from the Canadian Opera Company marking a new entry in the country’s essential operatic canon" (Globe & Mail). Published by Playwrights Canada Press, HAUI™ served as the 2024 artist-in-residence for the City of Guelph, creating the audiovisual piece Aunt Harriet. He looks forward to continuing development on Four in the Morning in NYC in Summer 2025. As a producer, HAUI™ is part of OYA OBAC’s Producers Incubator.

Monice Peter is a multifaceted artist in theatre, film, and sustainability. Her notable stage credits include The Stratford Festival, Shaw Festival, and Arts Club. On-screen, she's had leading roles in Lifetime's Yoga Teacher Killer and CBC/CW's Wild Cards. Monice's behind-the-scenes work includes Assistant Director for Matilda: The Musical and upcoming for Legally Blonde: The Musical (Theatre Calgary/Citadel Theatre). As playwright-in-residence at Vancouver's Urban Ink, she's developing Burnt Cork, exploring intergenerational Black identity while also working as the dramaturge on Four In The Morning (HAUI™).

A BCIT Sustainable Business Leadership graduate, Monice pursues interdisciplinary studies at UBC, integrating art, ecology, and economy in performing arts.

Paula Wing is a playwright, translator, dramaturge, and teacher. Upcoming plays (on stage in 2025) are: Wicked Nix, an adaptation of the book by Lena Coakley, at Young People’s Theatre; a translation of Stefano Massini’s Intractable Woman at Brandeis University; and Roadkill, a play for teen audiences for Roseneath Theatre (in 2026). Paula has been a story consultant for the Calgary Stampede Museum, and has written program notes for productions at Soulpepper Theatre for more than 15 years. Her teaching takes her across the province with the Gryffon Trio’s Listen Up program, at Tarragon Theatre most recently she facilitated the National Young Playwrights Unit. Paula a teacher at University of Windsor, Waterloo and at the Native Men’s Residence in Toronto.